Kanehsatake: 270 Years of Resistance

Kanehsatake: 270 Years of Resistance


                                Kanehsatake: 270 Years of Resistance
| 1 h 59 min

In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Director Alanis Obomsawin—at times with a small crew, at times alone—spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protestors, the Quebec police and the Canadian army. Released in 1993, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. Jesse Wente, Director of Canada’s Indigenous Screen Office, has called it a “watershed film in the history of First Peoples cinema.”

Ce film peut contenir des scènes de violence, de nudité ou traiter d'un sujet sensible. Pour public averti.

Manifesto Point # 1: The original project idea and goals come from the community partner. Kanehsatake 270 Years of Resistance is arguably Alanis Obomsawin's most important film, documenting the military 1990 siege of a Mohawk reserve near Oka, Quebec, and its causes. I chose this film here because the celebrated Abenaki filmmaker told me recently: "For me a real documentary is when you are really listening to somebody. They are the ones that tell you what the story is. Not you." Alanis said these words in the short the film I made about her, called Dream Magic (2008). I actually first saw Alanis in person behind the barricades at the Oka Crisis, back in 1990. She was there with her camera, and with army helicopters and madness swirling all around, she was an apparition of hope. I was a student journalist, furious with the disparity unfolding between the reality I saw before me, and the mainstream media's skewed interpretations of it. But because of Alanis, I was also witnessing the power of documentary firsthand. It is Alanis who first showed me almost two decades ago how collaborative the process can — and should — be. And from whom to draw inspiration.

Katerina Cizek
De la sélection : Manifesto for Interventionist Media - because Art is a Hammer

Delve into the action of an age-old struggle as Alanis Obomsawin spends 78 tense days filming the now-infamous stand-off between the Mohawks, the Quebec police and the Canadian army.

Alanis Obomsawin
De la sélection : Tribute to Alanis Obomsawin

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Largeur de la vidéo :

par (( height )) Réinitialiser
Générique
  • écriture
    Alanis Obomsawin
  • réalisateur
    Alanis Obomsawin
  • monteur
    Yurij Luhovy
  • caméra
    Roger Rochat
    Jean-Claude Labrecque
    Philippe Amiguet
    Susan Trow
    François Brault
    Barry Perles
    Zoe Dirse
    Jocelyn Simard
    André-Luc Dupont
    Savas Kalogeras
  • photographie additionnelle
    Sylvain Julienne
    Jean-Pierre Rancourt
    Marcel Poulin
  • None
    Robert Galbraith
    John Kenney
    Ryan Remiorz
    Claude Vendette
    Francis Grandmont
    Leonard, Chef Nelson
    Kahentiiosta
    Tom Paul
    René Robitaille
    Claudia Morgado
    Doreen Steven
    Sia Koukoulas
    Chris Crilly
    Robert Verrall
    Susan Gourley
    Kate De Volpi
  • prise de son
    Raymond Marcoux
    Robert Verebely
    Ismaël Cordeiro
    Marie-France Delagrave
    Catherine Van Der Donckt
    Serge Fortin
    Juan Gutiérrez
  • musicien
    Claude Vendette
    Francis Grandmont
    Pierre Gauthier
  • assistant à la prise de vues
    Michel Bissonnette
    Jocelyn Simard
    Michel Motard
    Stephen Reizes
    Yves Beaudoin
    Nash Read
    Simon Leblanc
    Guylaine Dionne
    Jeff Patenaude
  • électricien
    Guy Rémillard
    Roger Martin
    François Warot
    Jean Berthiaume
  • premier assistant monteur
    Carrie Katz
  • deuxieme assistant monteur
    Ruby-Marie Dennis
  • montage son
    Tony Reed
    Don Ayer
  • assistant monteur sonore
    Donna Vekteris
  • assistant au montage de la musique
    Catherine Merklinger
  • voix
    Jack Burning
    Herbie Barnes
  • recherche
    Alanis Obomsawin
  • narrateur
    Alanis Obomsawin
  • assistant de production
    Julie Ferland
  • mixeur du repiquage
    Jean-Pierre Joutel
  • stagiaire au mixage
    Terry Mardini
  • enregistrement voix
    Michel Chalut
  • studio d'enregistrement de la musique
    Studio 270
  • caméra d'animation
    Pierre Landry
    Lynda Pelley
  • conception des titres
    Val Teodori
  • administrateur de studio
    Marie Tonto-Donati
  • coordonnateur postproduction
    Grace Avrith
  • producteur
    Wolf Koenig
    Alanis Obomsawin
  • producteur exécutif
    Colin Neale

  • Emily

    @sixam: to suggest that the warriors *weren't* morally superior is to suggest that there is a moral equivalence in terms of the use of force by both sides. But, there is not. The Mohawks were not taking the land of anyone else - they were defending their land. So whilst their use of force was defensive, the government's use of force was offensive (in both senses!). We can start with the fact that the ancestors of these Mohawks had already been forced off of their land where the city of Montreal now is, as the documentary outlines. Then, their reserve lands were unlawfully expropriated by the town of Oka. There is really no moral equivalence here between their actions and those of soldiers acting to assert an unjust status quo.

    Emily, 28 Jul 2020
  • sixam

    An objective filmmaker would have investigated how the so-called "warriors" obtained their guns. Unfortunately, Ms. Obamsawin prefers to ignore that aspect. I agree the Mohawks have a legitimate grievance, and it would be utterly shameful for that sacred site to be desecrated by a useless golf course. That said, the "warriors" should not be presented as morally superior. I feel awful for the family of the dead officer whose murderers (correct me if I'm wrong) were never brought to justice.

    sixam, 27 Jul 2020
  • Antonio

    This documentary helped me to learn about what Indigenous had to do in order to protect their land. The film also furthered my knowledge on the actions that the government did to Indigenous culture. Overall, the film was very educational and I enjoyed it. #Next150 #IndigenousFilm

    Antonio, 18 Déc 2018
  • Antonio

    This documentary helped me to learn about what Indigenous had to do in order to protect their land. The film also furthered my knowledge on the actions that the government did to Indigenous culture. Overall, the film was very educational and I enjoyed it. #Next150 #IndigenousFilm

    Antonio, 18 Déc 2018
  • charlene

    Thank you Alanis, I was 33 years old when this took place. I consider it to be living history and very educational. I look forward to watching more of your work.

    charlene, 16 Avr 2017
  • MatthewD

    Heart breaking to say the least my spirit as warrior was saddened but awakened even more than ever before!!

    MatthewD, 24 Nov 2016
  • rubyjean46

    Watching this film makes me ashamed to be white.

    rubyjean46, 2 Mai 2014
  • Noor

    such a courage, such a spirit, such a unity, and strenght never seen it before. i salute the native people and i pray for them and for humanity to save us from evil's eye.

    Noor, 8 Déc 2012
  • thewrathofkhanh

    Such a powerful film! A testament to the strength of the human spirit! Long live the Resistance!

    thewrathofkhanh, 31 Mar 2012
  • jojoblueeyes

    I am shocked and horrified of the treatment of the Natives by the military. I can't believe this happened in this day and age especially in Canada. The film really opened my eyes. It really saddens me to be a white person.

    jojoblueeyes, 2 Mar 2012
  • inte

    As an Uyghur, I did not expect this happen in a country like Canada. I'm shocked by this film and the current issues with Native Rights. I hope the Natives will not stop fighting for their rights.

    inte, 3 Fév 2012
  • Pipestone

    Alanis Obomswain is a Modern day Storyteller. The true stories of the unjust treatment is not taught in our schools, not in our History books,and our Governments exceed Hitler in Human Rights Abuse. Each day we must be thankful for the fighting Warrior Spirit Grandfather has instilled in us! It is through the media as Alanis proves up that we are capable of change! Aho Alanis for your Warrior Spirit!

    Pipestone, 30 Avr 2011
  • KrashCoarse

    I shared a link to this film and a friend noted that subtitles and audio description available for the French version, but not the English one. Any chance we could get them? This film needs more exposure :)

    KrashCoarse, 15 Avr 2011
  • Kevin

    As with much of first nations' history, I was ashamed to see the persistance of the greed brought by the European visitors in Columbus's time. The foreign power holders continue the assimilation process (cultural and racial). Canada has not honoured all of its agreements with its first nations allies. In the face of such pressures, many first nations throughout the 'new world continents' have managed survival. They are to be admired for their courage.

    Kevin, 17 Mar 2011
  • mtricks

    I remember one of the commentators on CBC interviewing a bystander who said "We're all natives now. If they can do this here they can do it anywhere." Twenty years later they did the same to the citizens of Toronto at the G20.

    mtricks, 3 Jan 2011
  • Gman

    This is documentary filmmaking at its best.

    Gman, 11 Jul 2010
  • 0hawkeyes0

    Wow... Its a treasure to have this film accessible. a tool which we can draw strength from to open up all the possibilities for a brighter future for everything on this planet,

    0hawkeyes0, 5 Fév 2010